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The Princess Gohime

Oct 15, 2024 This jolt of delicious weirdness from Japanese New Wave master Masahiro Shinoda is both a reverent salute to Kabuki and a self-consciously postmodern take on its traditions.

Nov 29, 2017 The National Board of Review, established in 1909 and now boasting over 100 members, has named Steven Spielberg’s The Post as the best film of 2017. The Post won’t open until December 22 and reviews are embargoed until this coming...

Oct 7, 2017 We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goes away to college (and away from...

Auteurs in Space

On the Channel

Nov 17, 2016 Despite its reputation as a popcorn genre, science fiction has been an exciting frontier for some of cinema’s most innovative and ambitious masters. For Auteurs in Space, a Criterion Channel series we just premiered today, we’ve gathered a lineup of...

Mar 10, 2016 Repertory PicksThis weekend, the Gold Town Nickelodeon in Juneau, Alaska, will be showing one of Ingmar Bergman’s most fascinating films, The Magic Flute. In the film, which is an exquisite reimagining of Mozart’s 1791 opera of the same title, Bergman...

Jan 21, 2015 Money can’t buy love and happiness in Preston Sturges’s classic comedy—or can it?

Ugetsu

Essays

Dec 28, 1993 In his touchstone of postwar Japanese cinema, Kenji Mizoguchi uses woman’s fate to reveal the human cost of oppression.

Nov 18, 2025 A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.

Telluride 2024

The Daily

Sep 4, 2024 The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.

Sep 9, 2020 The in-demand performer stars in two films in competition, Kornél Mundruczó’s Pieces of a Woman and Mona Fastvold’s The World to Come.

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