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The Master

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

Apr 30, 2020 Check out what’s in store next month on our streaming service!

Dec 20, 2019 The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...

Oct 10, 2019 The rights to Jonathan Lethem’s novel were secured twenty years ago, and now that film is finally rolling out, reviews are mixed.

Oct 9, 2019 This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.

Jul 31, 2019 Check out what’s in store next month on our streaming service!

Jun 11, 2019 In the mid-1970s, a poet’s circus rolled through the northeast, manifesting the spirit and confusion of the era.

May 7, 2019 Humming light sabers weren’t the only thing going on during the maligned decade.

Feb 1, 2019 Rotterdam and Vanity Fair get a cinephile’s dream roster of filmmakers talking about their work.

Jan 23, 2019 Under the Influence With his latest movie, They’ll Love Me When I’m Dead, Oscar-winning documentary filmmaker Morgan Neville trained his focus on one of cinema history’s most outsize personalities. The film—released just months after Neville’s Fred Rogers profile Won’t You...

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