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Tale of Cinema

Mar 26, 2024 In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.

Mar 21, 2024 Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).

Jan 9, 2023 We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.

Dec 13, 2022 A pioneering feminist artist drawn to universal themes, the Swedish director mined the complexity and humor of human behavior in films that courted controversy and cultivated a sense of detachment.

Sep 30, 2021 The Oscar-winning actor—whose one-hundredth birthday we’re celebrating on the Criterion Channel—embodied a mess of contradictions that have long been obscured by her reputation for unbending rectitude.

Sep 3, 2021 In the thirty-fifth edition of the Italian festival dedicated to restored films, an eclectic lineup underscores the transportive physicality of cinema after a long year stuck at home.

Apr 22, 2021 1. Memories of Murder (2003) is based on what director Bong Joon Ho has described as “the first real case of serial murder in Korea”: between 1986 and 1991, the rural area of Hwaseong was terrorized by the killings of...

Mar 29, 2021 Filmmakers, programmers, and critics remember a man who “embodied the spirit of cinema as robustly as anyone ever has.”

Jan 7, 2021 That Obscure Object of Desire (1977) is often referred to as Luis Buñuel’s “testament” work, the apotheosis of his remarkable career as a filmmaker. It perfectly blends the type of outrageous surrealism he pioneered in the late twenties and early...

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

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