Oct 24, 2005 Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.

Nov 11, 2002 Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Aug 20, 2001 I have known Torben Skjødt since 1983. His debut video Englefjæs—which I thought to be very accomplished—was presented during a film week in Silkeborg. A debut work, yes, but made with a self-assured maturity by a self-taught creator of images....

The Rock

Essays

Mar 12, 2001 This first-rate action thriller by Michael Bay is a triumph of style, tone, and energy.

Jun 26, 2000 Brief Encounter was the fourth and final film that David Lean made in association with Noël Coward. Derived from Still Life, a one-act play which Coward included in the portmanteau Tonight 8:30, the story tells of a suburban housewife, Laura...

Dec 9, 1991 This rarely seen, overlooked gem, featuring what may be one of Marlon Brando’s most fascinating characterizations, was Gillo Pontecorvo’s worthy follow-up to his political masterpiece The Battle of Algiers. The brilliant radical Italian director achieved something unique in cinema, by...

Dec 18, 1989 Billy Wilder’s comedic genius is on full display in this beloved classic starring a never-better Marilyn Monroe and Tony Curtis, who spends most of the film in drag.

The writer and director shares how an act of generosity from Wim Wenders changed his life, recalls how Working Girls influenced the tone of Exotica, and explores the “erotic energy” of Walkabout.

The singer and actor reflects on Marlon Riggs’s Tongues Untied and the importance of seeing Black queer men express themselves on-screen, talks about working with Regina King on One Night in Miami . . ., and selects favorites by Carl...

The duo behind the legendary band share their formative memories of encountering Island of Lost Souls, praise Fellini’s unique sonic sensibility, and talk about their love for Tony Curtis and Burt Lancaster in Sweet Smell of Success.

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