The Criterion Collection
Jul 29, 2024 — Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.
On the Channel
Jul 17, 2024 — This month, we’re celebrating the expansive, archetype-exploding films of Paul Thomas Anderson, as well as the career of his frequent collaborator Philip Seymour Hoffman.
Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.
The Daily
Jul 10, 2024 — This year’s edition opens with jazz, features three revivals, and wraps with Godzilla.
May 29, 2024 — This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.
Essays
May 28, 2024 — In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.
On the Channel
Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.
Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.
The Daily
Mar 8, 2024 — This week calls for notes on some of the best writing on each of the ten nominees for Best Picture.
Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.