The Criterion Collection
Sep 15, 2009 — Words are the trained fleas in David Mamet’s sidewalk circus—dirty words, often bloodstained, usually swarming, that perform their acrobatic stunts for gawkers who will likely get their pockets picked. That’s the reputation, anyhow. More than thirty years after he made...
Mar 25, 2014 — Silent comedy superstar Harold Lloyd played big dreamers; few were more determined to succeed than the college football player Harold Lamb.
May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
Feb 27, 2024 — Hollywood legend Raoul Walsh’s first movie for Warner Bros. is an epoch-spanning tall tale that takes inspiration from the New York City of his childhood and closes out a run of influential gangster films he inaugurated in the silent era.
Essays
Jul 16, 2018 — In this essay originally published in the New Yorker, Roger Angell hails Ron Shelton’s comic ode to baseball as one of the few movies to capture the essence of the sport.
The Daily
Jan 26, 2018 — New York. Tomorrow, to celebrate the republication of Stan Brakhage’s book Metaphors on Vision (1963), the Metrograph and Light Industry cofounders Ed Halter and Thomas Beard will present a 16 mm print of his 1957 short Daybreak & Whiteye—and a...
Essays
Oct 24, 2005 — Kihachi Okamoto’s subversion of the samurai movie possesses the same gritty, stark realism with regard to imagery and body count, yet the tone is decidedly comic.
The Daily
Nov 28, 2022 — When Sight and Sound announces the results of its decennial poll this week, we’ll see what a list of all-time great films looks like in 2022.
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...