The Criterion Collection
Criterion Designs
Sep 13, 2021 — The Los Angeles–based artist behind the covers for our editions of Amarcord and The Awful Truth discusses the evolution of her work.
Aug 12, 2020 — Mia Hansen-Løve makes delicate, graceful films about overpowering emotions. After beginning her career in front of the camera, acting in Olivier Assayas’s Late August, Early September (1998) and Les destinées (2000) as a teenager, she transitioned to directing at the...
Aug 11, 2020 — I’ve often found that the most successful short films and short stories apply what Ernest Hemingway called the “iceberg theory,” distilling a larger narrative into a very specific moment that allows audiences to infer the bigger picture in their own...
On the Channel
Jul 30, 2018 — Cinematographer Robby Müller, who passed away earlier this month at the age of seventy-eight, was renowned for his sensitive use of natural light and the economy of his striking compositions. When he joined forces with Lars von Trier for 1996’s Breaking...
Oct 10, 2017 — Mia Hansen-Løve is about to begin shooting her sixth feature, Maya, featuring Roman Kolinka (who's worked with Hansen-Løve on Eden, andThings to Come), Aarshi Banerjee, Alex Descas, Judith Chemla, and Johanna ter Steege. Fabien Lemercier reports for Cineuropa: “Written by...
May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...
The Daily
May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...
The actor and comedian explains why His Girl Friday is “extremely Hacks-coded,” connects with David Lynch’s love of Los Angeles, and selects favorites like Thelma & Louise and Paper Moon.
The Oscar-winning composer selects favorite films that continue to excite him, including Andrei Rublev and Sid & Nancy; praises the transportive nature of Les Blank’s work; and shares how Nicolas Roeg changed his life.