The Criterion Collection
Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...
The Daily
Oct 10, 2019 — The rights to Jonathan Lethem’s novel were secured twenty years ago, and now that film is finally rolling out, reviews are mixed.
The Daily
Oct 4, 2019 — Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Sep 4, 2019 — The late actor became an icon of his generation with this moody, brilliant non-performance, informed by his intimate knowledge of chaos and death.
Aug 30, 2019 — In 1933, Japan withdrew from the League of Nations, after being censured for its invasion of Manchuria. Despite this, the majority of Japanese people remained avid consumers of American movies and Western fashion, which exasperated the militarists in power. A...
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
May 2, 2019 — When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...
The Daily
Feb 22, 2019 — Oscar-nominated songs, the unsung Marielle Heller, Lois Weber, Germans in Paris, and more feature in this week’s round.