The Criterion Collection
Essays
Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.
The Daily
May 9, 2018 — Cannes’s Opening Night film is met with a first round of lukewarm reviews.
Features
Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.
Sep 1, 2016 — Balancing epic scale with lyrical intimacy, Orson Welles inflects the spirit of Shakespeare’s history plays with his own zest for cinematic invention.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Jul 14, 2015 — Carroll Ballard’s film is a work of rapture, a mesmerizing adventure that envelops the viewer in the beauties of the natural world.
May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.
Jan 21, 2008 — Married thrice and divorced from all of his wives at a time in Western culture when such marital fluctuation was rare, the playwright August Strindberg undoubtedly used his own dramatic life as a sourcebook.
Jan 13, 2008 — Certainly one of the wildest, most original, and most instinctive movie stars turned auteurs in the Hollywood annals, Cornel Wilde made procedurals of uncivilized survival, in a visual syntax that ranges from comic-strip splat to outright gut punch.
Essays
May 13, 2002 — In Barbet Schroeder’s portrait of Ugandan dictator Idi Amin, we watch a seemingly amiable, thoroughly pompous despot attempt to transform himself into a figure of heroic proportions.