The Criterion Collection
Jun 24, 2002 — Oscar Wilde’s play is brought to the screen lovingly and meticulously by one of the great eccentrics of the British cinema, Anthony “Puffin” Asquith.
Jun 3, 2002 — In addition to being his funniest film, The Horse’s Mouth is the most personal, and touching, of all Alec Guinness’ movies. Apart from starring as the brilliant but bedraggled artist Gulley Jimson, Guinness also adapted the Oscar-nominated screenplay from Joyce...
Essays
Jun 3, 1991 — Robert Montgomery stars in the Oscar-nominated role of Joe Pendleton, a lug of a boxer accidentally spirited off to heaven before his time, while Claude Rains is the title character whose job it is to find a way for Pendleton...
The Oscar-winning composer selects favorite films that continue to excite him, including Andrei Rublev and Sid & Nancy; praises the transportive nature of Les Blank’s work; and shares how Nicolas Roeg changed his life.
With his raw DIY style and vibrantly collaborative process, the Oscar-winning writer-director has become contemporary cinema’s foremost chronicler of American dreamers and schemers.
One of the most beloved figures to emerge in 1960s Hollywood, the Oscar-winning actor was acclaimed for his collaborations with directors such as Arthur Penn, William Friedkin, and Wes Anderson.
This Oscar-winning director began his career as a visual artist before moving on to create audacious narrative features about marginalized people, including the Black community in his native London.
A sensitive chronicler of Black life, the Oscar-winning director breathes poetry into his explorations of masculine vulnerability, systemic injustice, and impossible love.
The Oscar-winning writer and director talks about Army of Shadows and Jean-Pierre Melville’s cinema of betrayal, shares his love for Denis Lavant's dancing in Beau travail, and selects favorites by Yasujiro Ozu, Ernst Lubitsch, and Nicholas Ray.