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Murder Without Crime

Bitter Harvest

Features

Sep 2, 2019 Dark Passages Thieves’ Highway A hay cart trundles through a sunny field above Fresno, California, in the opening shot of Thieves’ Highway. This is not an image you expect to see in film noir, which most often breeds in cities, alienated from the...

Jun 18, 2019 In his idiosyncratic, award-winning second film, Bruno Dumont uses the story of an alienated police detective to investigate the most elemental aspects of human experience.

Jan 29, 2019 In the Heat of the Night (1967) opens with an air of mystery, of outsiderness winding its way into the small town of Sparta, Mississippi, a place that right away seems heavy with a sense of what belongs and what...

Jan 22, 2019 Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...

Nov 23, 2018 The work of James Agee (1909–1955) remains one of the touchstones of American movie criticism. An extraordinarily versatile writer, he won acclaim as a novelist, a poet, and a screenwriter (his scripts for The African Queen and The Night of the...

Jul 25, 2018 And Orson Welles’s The Other Side of the Wind will finally see the light of day.

Apr 9, 2018 Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Apr 2, 2018 Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Mar 20, 2018 “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...

Mar 9, 2018 Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is...

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