Montage

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Nov 20, 2023 — This month brings new books on Godard and Bergman, novelists moonlighting as film critics, and biographies of Lena Horne and Elizabeth Taylor.

Oct 31, 2023 — With the full force of her imagination, director Nikyatu Jusu examines the complicated nature of Black motherhood, as well as the importance of Black communion as an antidote to racial oppression.

Oct 30, 2023 — At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...

Sep 29, 2023 — The newly reconstructed and restored seven-hour version of the 1923 melodrama screens on Saturday and again next week in New York.

Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.

Sep 25, 2023 — This month brings collections on Straub-Huillet and Whit Stillman, an Anna May Wong biography, and a novel starring Marilyn Monroe.

Sep 15, 2023 — This week features interviews with Martin Scorsese and Arturo Ripstein and appreciations of Tout va bien and Boris Karloff.

Aug 18, 2023 — This week we’re revisiting After Hours and other ’80s greats and the oeuvres of Yasuzo Masumura and François Truffaut.

May 30, 2023 — What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.