The Criterion Collection
Essays
Jun 10, 1996 — Ever since Quentin Tarantino’s Pulp Fiction created a sensation at [this year’s] Cannes Film Festival, where it won top honors (the Palme d’Or), it has been swathed in the wildest hyperbole. In fact, it has sparked an excitement bound to...
Essays
Dec 3, 2008 — Gliding on silvery reels of steel, and tricked out with Lars von Trier’s panoply of visual effects, the film ravishes with its elaborately storyboarded tunnel vision.
Features
Sep 4, 2013 — Only Ernst Lubitsch got the great comedian to be as funny on the big screen as he was on the radio.
The Daily
Jul 14, 2025 — The top prize, the Crystal Globe, goes to Better Go Mad in the Wild, a portrait twins living out their days on an isolated farm.
The Daily
Feb 7, 2020 — This week, we’re looking back on the work of Antonioni, Fellini, Cassavetes, and Mrinal Sen. Plus: Oscar talk!
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Essays
Oct 25, 1994 — Kenji Mizoguchi develops his medieval fable about moral freedom and slavery with intuition, cunning, and an overarching sense of tragedy.
Jul 14, 2026 — One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...