Love at Second Sight

Dec 2, 2019 — For Sama is the surprise winner at the the British Independent Film Awards, and John Waters picks his favorite films of 2019.

Sep 16, 2025 — A portrait of a new generation of feminist consciousness in the New York art world, Lizzie Borden’s first film project spikes with a persistent friction between the filmmaker and her documentary subjects.

Apr 12, 2024 — Names in the news this week: Alain Delon, John Akomfrah, Francis Ford Coppola, Vera Drew, Charles Burnett, and Miles Davis.

Sep 21, 2023 — Like the nuclear family, the internet shapes us whether or not we choose to relate to it. In 38, the final short in a triptych by filmmakers Micaela Durand and Daniel Chew, a woman approaching middle age becomes obsessed with...

Dec 20, 2022 — Among the names on the shelves this month: Andy Warhol, Bong Joon Ho, Sofia Coppola, Stanley Kubrick, and Alfred Hitchcock.

Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

May 6, 2018 — Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...

Oct 4, 2017 — Starting today, and on through October 15, the sixty-first BFI London Film Festival will present over 240 features—premieres, revivals, and hand-picked highlights from the year’s festival calendar so far—and nearly 130 short films. Our guide here won’t—can’t—be complete, but with...

Jul 16, 2017 — “Legendary filmmaker George A. Romero, father of the modern movie zombie and creator of the groundbreaking Night of the Living Dead franchise, has died at 77,” reports Tre’vell Anderson for the Los Angeles Times. “Romero died Sunday in his sleep...

May 19, 2017 — Let’s open today’s round of interviews with one from the archives, a conversation with Michelangelo Antonioni that originally ran in Corriere della Sera in 1982 but evidently took place during the final stages of shooting Blow-Up (1966). It’s been translated...