The Criterion Collection
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Jun 21, 2018 — I have lost count of the number of times I have had the pleasure of watching El Sur, but I suspect it is among the films I have seen most frequently in my life. It is a treasure chest that reveals...
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
Essays
Jan 30, 2018 — In his first sound film, silent-era master G. W. Pabst captures both the familial camaraderie and everyday brutality of life in the trenches.
Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.
Sep 26, 2017 — This collection of excerpts from interviews with Stan Brakhage illuminates the evolution of his philosophy of film through his career.
The Daily
Sep 10, 2017 — Guillermo del Toro’s The Shape of Water has won the Golden Lion at this year’s Venice International Film Festival. We’ve been gathering reviews here, and we’ll carry on, too, as the film screens in Toronto throughout the coming week.This year’s...
Jul 25, 2017 — Albert Brooks brings the gift for comic deconstruction he honed in his stand-up career to this uproarious satire of baby boomer values.
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.