Killer in Red

Jul 18, 2019 — While the focus is on new films by young directors, the guest of honor will be the renowned Shinya Tsukamoto.

Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...

Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.

May 20, 2009 — Iconoclasts are meant to kill their idols, and so it’s fitting that Shohei Imamura launched into his career as if on a patricidal rampage. Like Nagisa Oshima, the other towering figure of the Japanese New Wave, Imamura (1926–2006) rejected the...

Apr 20, 1992 — Tanya: Oh, James, James, will you make love to me all the time in England? James Bond: Day and night! Sean Connery returns in From Russia with Love in the best of all of Ian Fleming’s stories. Filled with sex,...

Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Aug 2, 2017 — “Forty years ago,” begins Earl Douglas at the Interrobang, “the country was still reeling from Vietnam and Watergate, Elvis died, punk and disco took full flight, and New York City dealt with record heat, a blackout, a financial crisis and...

Nov 16, 2021 — Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

Sep 24, 2024 — A sceenwriter, novelist, and longtime friend of director Todd Solondz recalls the admiration he felt upon first seeing this audacious ensemble drama, which offers an unflinching, compassionate look at the pain and abjection of being human.