The Criterion Collection
Feb 6, 2017 — In the inaugural installment of his new column, archivist Michael Chaiken examines the Nobel Prize–winning icon’s unique artistic process through a collection of ephemera.
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
Apr 29, 2016 — The writer-director of such witty cultural sendups as Metropolitan, Barcelona, and The Last Days of Disco talks about that early-career trilogy; his new Jane Austen adaptation, Love and Friendship; and the filmmaker’s work of capturing the past.
Jan 12, 2016 — In German filmmaker Wim Wenders’s high-strung thriller, adapted from two Patricia Highsmith novels, Dennis Hopper plays sociopathic con man Tom Ripley as a “hopped-up elf from hell” who works his charms on a winsome and guileless Bruno Ganz.
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
Dec 13, 2011 — Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.
Jun 7, 2011 — Performances Despite bearing his last name and a close resemblance to him—the high cheekbones, the slightly drooping lips and prominent front teeth, the piercing yet empathetic eyes—remarkably, Geraldine Chaplin has never seemed obscured by the shadow of her iconic father,...
May 13, 2011 — Craig McCall’s labor of love documentary Cameraman: The Life and Work of Jack Cardiff, a darling of the film festival circuit over the past year, opens today in New York and in a couple of weeks in Los Angeles. A...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.