The Criterion Collection
Essays
Feb 16, 2004 — Henri-Georges Clouzot took the standard ingredients of the Continental-Films detective movies and used them to make something darker and more complex—to make, in fact, the first classic French film noir.
Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...
Essays
May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.
Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.
Jan 22, 2026 — At once earnest and fantastic, carefree and mindful, G. Aravindan’s richly imagined work of folklore channels the director’s deep spiritual vision through the form of a children’s story.
The Daily
Jul 31, 2024 — Vancouver’s Cinematheque presents parallel series of American and international classics and outliers.
The Daily
May 31, 2023 — It’s not every year that so many critics are pleased with the juries’ choices.
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Features
Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.
Dec 17, 2020 — The year 1999 was several months old when I entered Los Guajolotes, a restaurant that, like so many others in Mexico City, has now disappeared. I was walking to my table when a person who appeared to live on the streets...