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His Night Out

Apr 26, 2022 In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Feb 1, 2022 Douglas Sirk’s 1956 masterpiece is a visceral tragedy that lays bare the spiritual malaise of the ruling class.

Jan 25, 2022 By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.

Nov 24, 2021 Mike Leigh, Hayao Miyazaki, Céline Sciamma, and Jessica Beshir discuss their work, and Farran Smith Nehme launches a newsletter.

Going Our Way?

The Daily

Nov 5, 2021 This week heads in all directions—noir, musicals, and the avant-garde.

Jul 23, 2021 Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Feb 22, 2021 Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Jan 29, 2021 Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...

Jan 5, 2021 The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....

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