Here's Berlin

Jan 1, 2018 — One of the most intriguing films we can look forward to in the new year is Claire Denis’s English-language debut, High Life. “I’ve always been interested in science, in astrophysics,” Denis told the Hollywood Reporter’s Scott Roxborough in November. “But...

Nov 28, 2017 — Ahead of the Christmas Day opening, preview screenings of Paul Thomas Anderson’s Phantom Thread in New York and Los Angeles began over the weekend and will continue through Thursday. Variety’s Kristopher Tapley suggests that “if you define a film as...

Nov 21, 2017 — Ernst Lubitsch’s “world is defined by time as much as place,” writes Daniel Witkin in the latest entry in Reverse Shot’s symposium on time. “Anachronistically straddling the 19th and 20th centuries, his characters embody unfashionable virtues of discretion and tact...

Nov 20, 2017 — World of Tomorrow Episode Two: The Burden of Other People’s Thoughts is headed to Dallas, Austin, New York, San Francisco, and Los Angeles. Don Hertzfeldt’s tweeted dates and links. New York. Aleksandr Sokurov’s Days of Eclipse (1988), “like Stalker, brews...

Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...

Sep 24, 2017 — For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...

Sep 21, 2017 — The editors of Senses of Cinema open Issue 84 with a “near exhaustive dossier” on Christian Petzold and a second entitled “Sartre at the Movies.” Here, “one of the world’s foremost scholars of French cinema, Dudley Andrew, explores the ideas...

Sep 1, 2017 — “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most indelible of them all is borrowed from...

Aug 8, 2017 — In Jan Speckenbach’s “intriguing, sincere, if somewhat overreaching sophomore feature,” Freedom, “Nora (Johanna Wokalek) wanders past Breugel’s Tower of Babel painting in the Kunsthistorisches Museum in Vienna, while in Berlin, unaware of her whereabouts, her lawyer husband Philip (a sympathetic...

Jul 12, 2017 — New York. A retrospective of films by Alain Tanner opens today at the Metrograph and runs through July 23. Writing for Hyperallergic, Craig Hubert looks back on work Tanner did with the late critic, novelist, painter, and poet John Berger,...