The Criterion Collection
Essays
Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...
A sui generis icon of counterculture cinema and style, John Waters upends traditional notions of “good taste” and heteronormative social conventions with a gleefully transgressive mix of camp humor, outrageous provocation, and daring empathy.
An elegiac take on James Joyce, a romantic swashbuckler, a portrait of grief, a searing drama, a feel-good comedy, four global gems, a chronicle of China’s new century, a revisionist western, and a twenty-first-century masterwork.
The writer and director of Magellan praises the use of silence and space in Le samouraï, talks about how Mike Leigh and Kenji Mizoguchi explore the human condition in their films, and selects his good friend Béla Tarr's Werckmeister Harmonies.
The late icon of French cinema brought his impossible good looks and air of cool detachment to films by Luchino Visconti, Jean-Pierre Melville, and other European masters.
The beloved actor shouts out the brilliance of Marlon Brando, calls Dazed and Confused “a staple” of any good film library, and salutes the magic of Charlie Chaplin.
The Daily
Mar 14, 2023 — After an evening of comebacks and righted wrongs, now’s a good time for a quick glance back to previous campaigns and ceremonies.
The Daily
Dec 6, 2021 — It was a good weekend for Drive My Car, Lady Gaga, and Aleem Khan’s debut feature.
The Daily
Oct 27, 2020 — A good number of film publications are reminding us that this is the season for terrifying ourselves.