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Father Stu

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Apr 27, 2026 During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...

Apr 22, 2026 “The wig has a name. The wig’s name is Pam.”I was not even a little surprised to hear that Dallas-born filmmaker Ja’Tovia Gary had given a name to the bouncy brown bob she wears in her film The Giverny Document...

Apr 14, 2026 Consider, for a moment, the jewel thief. No, not like the gang that, at the time of this writing, recently robbed the Louvre in Paris, France. Think rather of one you might find in Paris, Paramount. After all, as director...

Apr 14, 2026 New films from Radu Jude, Clio Barnard, Lisandro Alonso, and Alain Cavalier are headed to Cannes.

Mar 31, 2026 Violently nihilistic, simultaneously energizing and crushing, Tsui Hark’s remake of the martial-arts classic One-Armed Swordsman captures the zeitgeist of pre–1997 handover Hong Kong.

Mar 30, 2026 Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.

March Books

The Daily

Mar 20, 2026 We’re reading up on the work of Jean-Luc Godard and Chantal Akerman—and Liza Minnelli has a new memoir.

Mar 9, 2026 The comprehensive retrospective can be a daunting prospect, but programmer David Schwartz has spotlit five essential features.

Mar 2, 2026 A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

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