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Exposé

Sep 29, 2021 Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Aug 3, 2021 With two short films and his acclaimed debut feature, No Data Plan, now playing on the Criterion Channel, the Filipino American filmmaker discusses his vision of the immigrant experience.

Jun 28, 2021 Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

Jun 9, 2021 Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...

May 25, 2021 1. William Lindsay Gresham’s first book—the sordid carnival-sideshow noir Nightmare Alley—was the author’s only considerable literary success. A controversial best seller upon its publication in 1946, the novel was quickly followed by a film adaptation the next year. Gresham would...

May Books

The Daily

May 24, 2021 We’re reading more about Billy Wilder and Alfred Hitchcock and about Sofia Coppola and Stanley Kubrick.

April Books

The Daily

Apr 13, 2021 This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.

Mar 2, 2021 Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

Jan 28, 2021 Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...

Oct 16, 2020 First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...

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