The Criterion Collection
Jan 6, 2015 — Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into...
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Apr 10, 2013 — Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.
Feb 12, 2013 — The Dardenne brothers return to the streets of Seraing for a typically humane and suspenseful story of personal redemption.
Oct 4, 2011 — Masaki Kobayashi rejects the notion of individual submission to the group, condemning the hierarchical structures that pervaded Japanese political and social life in the 1950s and 1960s.
Essays
Aug 18, 2011 — Stanley Kubrick’s labyrinthine 1956 heist flick The Killing—an exploded rethink of John Huston’s The Asphalt Jungle and eventual template for the narrative convolutions of Reservoir Dog—became an instant facet in the jewel that was film noir, even as it refracted...
At Criterion, cinema is king, but the play is also the thing. Here’s a selection of films that adapt great works of theater for the screen.
Essays
Apr 18, 2011 — An Eagle for an Emperor, a Gyrfalcon for a King; a Peregrine for a Prince, a Saker for a Knight, a Merlin for a Lady; a Goshawk for a Yeoman, a Sparrowhawk for a Priest, a Musket...
Essays
Oct 26, 2010 — A coming-of-age story about a clique of teenage schoolgirls who will never grow old and a demon spirit in the guise of a spinster who was never young, Nobuhiko Obayashi’s eye-poppingly demented, jaw-droppingly inventive House is 1970s Japanese pop culture...
Oct 19, 2010 — With Seven Samurai, Akira Kurosawa set out to debunk some of the more inflated myths that had attached themselves to the samurai.