Doc Hollywood

Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 22, 2018 — New York. There’s a celebration going on at the Quad Cinema through Wednesday, A Journey Through Cinema: Ten Years of the Cohen Media Group. At Screen Slate, Caroline Golum picks out Maurice Pialat’s Loulou (1980) from the program to spotlight,...

Jan 19, 2018 — Before we turn to the features and series that haven’t been made yet, we’ve got two items worth making note of here. First, as Wellesnet editor Ray Kelly reports, “The Other Side of the Wind had its first screening on...

Dec 21, 2017 — A season-long retrospective of Rainer Werner Fassbinder continues with a screening of his psychosexual drama The Bitter Tears of Petra von Kant.

Nov 11, 2017 — Andrei Tarkovsky’s Stalker (1979), written by Boris and Arkady Strugatsky and based on their 1972 novel Roadside Picnic, screens tomorrow and Tuesday as part of The Strugatsky Brothers on Film, a series running through November 21 at Anthology Film Archives...

Nov 9, 2017 — “DOC NYC started in 2010 and is now, at 250 movies and dozens of filmmaker workshops (best in class: ‘Show Me the Money Day’) spread over eight days [November 9 through 16], the biggest and probably best one-stop venue for...

Oct 28, 2017 — New York. “It’s an idea so good,” writes Farran Smith Nehme in the Village Voice, “you can’t believe no one did it before: a book about the deep and abiding friendship between Henry Fonda and James Stewart, true legends of...

Oct 16, 2017 — J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...

Oct 8, 2017 — “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel...