Cam

Nov 24, 2015 — In Dont Look Back, legendary documentary filmmaker D. A. Pennebaker employs his revolutionary new camera and Direct Cinema style to capture the multiple essences and contradictions of a young Bob Dylan making his way across England in 1965.

Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.

Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Sep 30, 2014 — Singer-songwriter and occasional film actor Will Oldham has released eighteen albums, appeared in such films as Matewan (1987), Junebug (2005), Old Joy (2006), and Wendy and Lucy (2008), and teamed with David Byrne to compose the score for This Must...

Jan 22, 2014 — When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...

Oct 22, 2013 — Jonathan Caouette is the director of several feature-length documentaries: the award-winning personal diary film Tarnation (2004), produced by John Cameron Mitchell and Gus Van Sant; All Tomorrow’s Parties (2009), about the music festival; and Walk Away Renee (2011), the follow-up...

Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.

Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.

Dec 11, 2009 — This expansive tribute to the iconic Japanese actor Tatsuya Nakadai was first published on the Criterion Collection’s website in fall 2005, around the time of the Criterion releases of two films starring Nakadai: Kurosawa’s Ran and the less well-known samurai...

Jun 24, 2009 — The following tribute to Sacha Vierny by Alain Resnais (pictured together above, Resnais left) was published in the October 2001 issue of Positif. It is based on an interview conducted by François Thomas and was translated for Criterion by Nicholas...