Nov 14, 2017 Donna Deitch combined tropes of lesbian pulp romance with the sheen of mainstream filmmaking in her beloved debut feature.

Oct 11, 2017 The Literary Hub is running excerpts from A Dance with Fred Astaire in which Jonas Mekas recalls his encounters with Anaïs Nin, Arthur Miller, Allen Ginsberg, and Aldous Huxley. Stan Brakhage (image above) wrote Metaphors on Vision in 1963, putting...

Sep 11, 2017 This first of two, possibly three, parts was slammed hard on Twitter the moment it premiered in competition in Venice, but, surveying the first wave of reviews, we find that it’s not going to be so easily dismissed outright. Let’s...

Aug 24, 2017 As noted on Tuesday, the Cinémathèque suisse in Lausanne is presenting a Jacques Tourneur retrospective through September 24. The Cinémathèque française in Paris rolls out another from August 30 through October 8, and of course, the big one was staged...

Jun 5, 2017 Known for playing sexy noir toughs, Ralph Meeker underwent a startling transformation as the anguished, slovenly male lead in Jack Garfein’s psychological drama.

May 19, 2017 “Kornél Mundruczó’s Jupiter’s Moon is a messily ambitious and over-extended movie with some great images,” writes the Guardian’s Peter Bradshaw: “[L]ike his previous picture White God it leaves behind the somewhat torpid realist mannerisms of his even earlier films such...

Apr 2, 2017 What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.

Mar 23, 2017 With a monumental body of work spanning nearly six decades, thirty feature films, and a staggering array of styles and genres, Akira Kurosawa has been a cornerstone of our collection since we released Seven Samurai as our second Criterion edition...

Jan 9, 2017 A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Exile at Home

Features

Dec 18, 2016 Imogen Sara Smith examines the tensions between tradition and modernity reflected in two silent crime films by Yasujiro Ozu and Tomu Uchida.

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