The Criterion Collection
Sep 13, 1993 — If, as François Truffaut said, quoting Renoir back in 1958, “The film director’s task consists of getting pretty women to do pretty things,’” then never did he apply himself more faithfully than in Confidentially Yours specifically for Fanny Ardant, not...
Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.
Dec 13, 2022 — A pioneering feminist artist drawn to universal themes, the Swedish director mined the complexity and humor of human behavior in films that courted controversy and cultivated a sense of detachment.
Sep 26, 2010 — The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...
The Daily
Jul 18, 2024 — Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.
Feb 12, 2020 — If you were born in Mexico City in the second half of the twentieth century, you grew up feeling that everything could come tumbling down in a matter of minutes. You grew up amid the reverberation of past earthquakes—all their...
Oct 5, 2017 — For kicks, I’m opening this one with something I wrote myself back in February, just hours after seeing the film at the Berlinale: “Aki Kaurismäki’s uneven but irresistibly amusing The Other Side of Hope, dedicated to the late film historian...
The Daily
Apr 30, 2024 — Jacques Rivette, Marguerite Duras, and Luis Buñuel—more than thirty features and shorts will screen in the monthlong series.
The Daily
Jan 29, 2018 — We begin with the series today, because Michael Haneke has just signed on to direct his first one, Kelvin’s Book. Deadline’s Nellie Andreeva tells us that the “English language, ten-part, high concept series is set in a dystopian world and...
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.