The Criterion Collection
May 21, 2020 — Deep Dives “Right then, get dressed!” my mother sang out once a year when I was a child. “We’re going down the Lane,” and I was at the front door with my coat on before she was. The Lane was...
Jan 13, 2020 — A key figure of the Czechoslovak New Wave, Passer went on to direct a classic American neonoir.
The Daily
Jan 9, 2020 — The UCLA Film & Television Archive presents a series of films bearing aesthetic and political similarities to the Italian neorealist classics of the late 1940s.
The Daily
Dec 19, 2019 — Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
Features
Oct 10, 2019 — Dark Passages Where the sea and the city meet, they corrupt each other. Around docks, the ocean’s margins are scummy with oil and floating garbage; the water corrodes hulls, encrusts pilings, and slimes steps. Ports cater to men who come...
Sep 9, 2019 — In his thought-provoking latest book, the critic and frequent Criterion contributor traces the complex ways European filmmakers have grappled with the influences of Christianity and modernity.
Jun 11, 2019 — The problem with Fred Astaire and Ginger Rogers movies, everyone agrees, is that there is never enough dancing. You have to wait through often silly plots and hit-or-miss comedy for the musical numbers that are the whole point. But the dances...
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.