The Criterion Collection
Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.
The Daily
Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...
Dec 12, 2018 — Selection to the registry ensures that “these films will be preserved for all time.”
Features
Aug 13, 2018 — From Jeremy Irons in Dead Ringers to Kazuo Hasegawa in An Actor’s Revenge, performers who multitask as several characters in a single film tap into the essential uncanniness of cinema itself.
Dec 19, 2017 — While he was in town with Call Me by Your Name at the New York Film Festival in October, Luca Guadagnino stopped by our office to talk about inspirations, style, and dancing.
Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.
Jul 21, 2017 — A landmark of mainstream queer cinema, Donna Deitch’s 1986 feature debut returns to theaters in a new restoration.
Dec 6, 2016 — This elegiac meditation on impermanence showcases Laurie Anderson’s playfully experimental approach to sound and image.
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.