The Criterion Collection
Sep 21, 2020 — After opening TIFF, this dynamic yet unobtrusive documentation of the hit Broadway show now heads to the NYFF.
The Daily
Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.
The Daily
Aug 24, 2020 — “Temporal pincers” aside, this two-and-a-half-hour puzzler may be easier to follow than you might expect.
The Daily
Sep 30, 2019 — Critics are enthralled by a mobster’s three-and-a-half-hour alternative history of the mid-twentieth century.
The Daily
Aug 27, 2019 — In the run-up to Venice, Telluride, and Toronto, New York announces its retrospective and revivals.
Interviews
Apr 2, 2019 — Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...
Aug 31, 2018 — And a pillar of American film criticism falls.
The Daily
Jan 10, 2018 — Screenwriter Todd Alcott has a new book out, Kubrick: Five Films: An Analysis, the fourth volume in his series, What Does the Protagonist Want? In a series of nine posts at his site, he walks us through Barry Lyndon (1975),...
The Daily
Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...
Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.