After We Fell

Jul 1, 2025 — Made nearly two decades into Fritz Lang’s Hollywood career, this brutal noir is designed for maximum velocity and impact, eschewing the director’s accustomed flourishes in favor of a stark literalness.

Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...

Oct 7, 2020 — Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...

Aug 11, 2020 — The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...

Jun 30, 2020 — A nonverbal man sits on a bench on a village street. With his hands, he tells the story of his village. His hands say that all of the villagers were herded together into a barn. His hands say that the...

Dec 21, 2017 — No one has captured the complexities of forbidden love with more intimacy than Celia Johnson in David Lean’s classic romance.

Mar 11, 2016 — Consider the story of Lolabelle, the rat terrier cast by Laurie Anderson—her human companion—in Anderson’s stirring, tender film Heart of a Dog.

Dec 6, 2011 — The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...

Feb 18, 2008 — Actor and writer Linda Sandoval met Alex Cox in 1983, when her husband, Miguel Sandoval, was cast in Repo Man (she recalls that Cox phoned to say he had good news and bad news: the bad news was that Miguel...

Sep 17, 2007 — I set out on my first trip to the Toronto Film Festival ready to feast on films and spend relaxed, indulgent, quality time with writers I work with, or hope to work with, as the editorial director here at Criterion....