The Criterion Collection
The Daily
Jun 24, 2024 — Costars and critics remember an outstanding actor who neither looked nor sounded like a movie star.
Jun 9, 2021 — Lois Weber was Hollywood’s leading female director in the 1910s and 1920s. But also: she was one of the great directors of the silent era regardless of gender, a filmmaker of remarkable vision who exerted an exceptional degree of creative...
Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.
Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.
The Daily
Feb 10, 2018 — “Over a decade and a half in the making,” begins Mitch Anzuoni in the new issue of the Brooklyn Rail, “From The Third Eye: The Evergreen Review Film Reader is the first comprehensive look at Barney Rosset and Grove Press’s...
Aug 15, 2017 — “Given that this edition of Locarno was its 70th, it was a shame that no special anniversary prize was created and bestowed on Raúl Ruíz's gloriously strange The Wandering Soap Opera,” finds James Lattimer at the House Next Door. “The...
Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.
Essays
Jun 2, 1998 — In Ray Johnson’s documentary The Making of “A Night to Remember”, Walter Lord says that when he wrote his 1955 book on the 1912 sinking of the Titanic, there was no mass interest in the topic; nothing had been written...
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
Feb 11, 2025 — Jean-Luc Godard’s first English-language narrative feature is a postapocalyptic fantasy that shifts from antic humor to tragic grandeur while challenging deep-rooted assumptions about what a Shakespearean movie should be.