The Criterion Collection
Jul 16, 2024 — In one of the most patient films he has ever made, Wim Wenders captures how everyday existence drifts into our dream lives.
The Daily
Dec 6, 2023 — American Fiction, May December, and Past Lives lead with five each, and Showing Up has already won the Robert Altman Award.
The Daily
Jan 19, 2023 — Critics list their most-anticipated films as Sundance opens with Rotterdam and Berlin hot on its heels.
Jul 13, 2021 — Miles: I just sold a building on the Lower East Side and tripled my money Molly: There’s a lot of that happening these days. Released the year before Oliver Stone’s Wall Street (1987), Working Girls, a film about sex work, is a sharper by far...
Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....
Apr 18, 2018 — Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.
The Daily
Jul 17, 2017 — “Steven Spielberg laid claim to the Normandy beach landing,” begins Variety’s Peter Debruge, “Clint Eastwood owns Iwo Jima, and now, Christopher Nolan has authored the definitive cinematic version of Dunkirk. Unlike those other battles, however, this last was not a...
Essays
Jun 16, 2014 — Georges Franju evokes the surreal silent serials of Louis Feuillade while constructing his own personal cinematic paradise.
Jan 18, 2011 — In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...
Apr 23, 2009 — This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.