The Criterion Collection
Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...
Jan 28, 2014 — Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.
May 21, 2013 — It’s tough to tell where reality ends and fiction begins in Haskell Wexler’s deft chronicle of a turbulent era.
Feb 2, 2011 — This essay first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. It is posted here by permission of the author. Michelangelo said he could sense the figure in the uncut stone; his job was...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
A delicate hand, effervescent humor, and an economy with words and images define this German director, who became a legendary figure in Hollywood comedy.
Sep 22, 2009 — Abandoning the cinematic conventions and references that informed his previous works, Jean-Luc Godard’s explosive crime drama reaches new heights of spontaneity and lightning invention.
Essays
Feb 16, 2009 — Through the story of thunderously, wondrously henpecked men and a determined woman’s romantic zeal, David Lean’s comedy depicts private and social revolution.
Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.
Jun 5, 2006 — Painful, beautiful, and discomfiting, Maurice Pialat’s coming-of-age drama remains as startling in its honesty, its unique mix of savagery and delicacy, as it was in 1983.