438 Days

Nov 9, 2006 — For years now, Peter has been the public face of Criterion. It’s great to have my partner fielding the brunt of the questions, sitting on the panels, and speaking poetically for all of us. We’ve been partners now for about...

Jul 9, 2001 — Director Bruce Robinson reminisces about the days that inspired his uproarious black comedy.

Nov 13, 1991 — Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...

The musician and composer reminisces about watching A Hard Day’s Night with his dad, explores the beautifully unnerving score for Eyes Wide Shut, and shares what he learned from collaborating with Alfonso Cuarón.

The writer and director talks about the connection between Le corbeau and Salò, or The 120 Days of Sodom; praises the strength of Kira Muratova and Larisa Shepitko; and selects Deep Crimson for his friend, Arturo Ripstein.

The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...

The singer-songwriter shares why Thelma & Louise was a North Star when writing her first album, praises the way Days of Heaven immerses viewers in its beauty, and talks about her deep affection for Grey Gardens.

The actor, comedian, and writer praises John Waters as a “timeless shocker;” shares his desire for more great nightlife movies like The Last Days of Disco; and reflects on the beauty of Robby Müller’s cinematography.

The actor and star of Crossing Delancey reminisces about the first film her family watched together at the drive-in, praises the depth of Liv Ullmann’s performance in Cries and Whispers, and shares her intimate connections to Blue Velvet and Days...

The musician and Pulp front man shares how films like Blue Velvet and Meantime altered his view of cinema, talks about collaborating with Wes Anderson and Danny Boyle, and decides he’s finally ready to watch Salò, or The 120 Days...