April in Tativille

Production Notes

Apr 22, 2009 Some of you might have seen the news item on our website regarding the Jacques Tati “centennial-plus” and the exhibits around Paris paying homage to the inventive filmmaker. I had the good fortune to be in the City of Lights...

Apr 21, 2009 Mark your calendars: Janus Films and the Criterion Collection’s theatrical release Revanche opens next Friday, May 1, in New York, Seattle, and Boston, and the early press is awesome. Götz Spielmann got a rave for his tense, thrilling drama from...

Apr 21, 2009 Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...

Apr 21, 2009 That’s how the always cheeky (and clickable!) folks at Very Short List mapped out Stephen Frears’s sun-drenched but blood-chilling early crime thriller The Hit in their e-mail offering yesterday touting Criterion’s upcoming release. “A great lost ’80s thriller, rediscovered,” they...

Apr 21, 2009 “Just takes a few months to get to be a hundred. If you’re in the right place at the right time.” I first saw Henri-Georges Clouzot’s masterpiece The Wages of Fear when the restored version was released in the U.S.,...

Apr 20, 2009 The French scientist-educator-filmmaker Jean Painlevé’s groundbreaking work consistently revealed not only a commitment to informed science and effective communication but to the creative expression of ideas.

Apr 19, 2009 Big and Little Edie fans have been coming in droves to take advantage of our Grey Gardens $5-off sale. To such an extent, indeed, that we’ve temporarily sold out of our two-disc box set, including both the original film and...

Apr 19, 2009 More than fifty years after he first appeared on-screen, it seems that Monsieur Hulot has finally quit smoking. And not voluntarily. In accordance with a 1991 law prohibiting tobacco advertising in subway stations and on buses, the Paris Public Transport...

Apr 19, 2009 “Why Sam Fuller?” a new essay by Tag Gallagher, in the latest issue of Senses of Cinema, asks. Aficionados might wonder, why even ask? But perhaps they forget that the two-fisted termite art of this now much-heralded genre filmmaker was...

Apr 16, 2009 If you’re feeling symptoms of Edie-itis lately—wearing sweaters and towels as kerchiefs, doing impromptu soft-shoes around the house, unexpectedly calling your mom “Mothuh, dahling”—don’t worry, you’re not alone. Something is definitely in the air.Staunch fans of the Maysles brothers’ 1976...

Current Page
698
of 880

You have no items in your shopping cart