Jun 19, 2009 Forty-six years ago, Last Year at Marienbad opened in London. Resnais and Robbe-Grillet came over for the press screening, and I chatted to them in the lobby of the now defunct Cameo-Poly art house on London’s Upper Regent Street. Resnais...

Jun 19, 2009 Just this week a man, armed with a handgun, attempted to rob what is almost certainly (based on local accounts and a little detective work on our part) the very same Dedham, Massachusetts, bank that was the setting of the...

Jun 17, 2009 Celebrations of the fiftieth anniversary of the French New Wave have been popping up all over, and now New York is also about to ride the crest. The Museum of Arts and Design and the Museum of the Moving Image...

Jun 16, 2009 In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,”...

Jun 15, 2009 With the arrival of this film, cinema catapulted to the front line of a cultural advance guard that sought to undermine the intractable mass taste promoted by Hollywood, television, and the Brill Building.

Jun 10, 2009 There’s a cornucopia for Tati fans over at Kristin Thompson and David Bordwell’s blog, Observations on Film Art and Film Art. In a new entry, Thompson spotlights painter Jacques Lagrange, a somewhat unsung collaborator on all of Jacques Tati’s films,...

Jun 10, 2009 Kind Hearts and Coronets, that most wicked comedy of ill manners, had established Alec Guinness as an acting force—and coming so soon after he had disappeared into the role of Fagin in David Lean’s Oliver Twist, his dazzling embodiment of...

Jun 9, 2009 “It’s worth noting that I have not seen the majority of the films in the collection (giving me hundreds of hours of great stuff to look forward to!),” says Joe Swanberg. “But of the many that I have seen, the...

Jun 8, 2009 The word “opera” doesn’t immediately come to mind when one thinks of Abbas Kiarostami. Such a grandly theatrical form would seem antithetical to the more minimalist film sensibility of the Iranian director (Taste of Cherry). But thanks to a surprise...

Bergman and I

Features

Jun 8, 2009 As I write this, it has been a year and a half since Ingmar Bergman passed away—and I miss him daily. I miss his imagination and the comfort he gave, both personally and through his films. I got to know...

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