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The Way He Looks

Aug 10, 2020 A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...

Jul 3, 2020 One Scene By 2008, Olivier Assayas was perhaps best known as a director of fraught, emotionally intense, experimentally structured thrillers such as Irma Vep (1996), demonlover (2002), and Boarding Gate (2007), so the contemplative quiet of the feature he released...

Apr 7, 2020 Before the 1990s, the era when the power centers of fashion began to be much more numerous and dispersed, decades could be easily identified by the most prominent looks and cuts of their pervasive styles. The closet of the sixties...

March Books

The Daily

Mar 16, 2020 This month we’re reading about Helen Scott, a liaison between Paris and Hollywood; Anna Karina’s novels; William Faulkner’s screenplays; and more.

Jan 17, 2020 Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...

Ozu in NYC and LA

The Daily

Nov 8, 2019 Woman of Tokyo (1933) screens tonight in Los Angeles, and Tokyo Twilight (1957) will play for a week in New York.

Oct 15, 2019 After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Sep 3, 2019 Early reviews of Gray’s space odyssey are strong—and even stronger for Brad Pitt.

Nov 19, 2018 Billy Wilder proves himself one of cinema’s greatest pleasure seekers in this irresistible confection, a landmark of Hollywood comedy.

Producing Female Trouble

Production Notes

Jul 25, 2018 After languishing for decades in John Waters’ attic, never-before-seen footage from the set of Female Trouble has made its way onto our newly released edition of the film.

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