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The Game

May 2, 2019 When I first saw My Brilliant Career, when it was released in New York in 1980, I was ignorant of director “Gill” Armstrong. I assumed she was a man, because at the time I could count the female directors I...

Feb 2, 2010 Dear Criterion collectors, Our three least favorite initials: OOP. Since we launched the Criterion Collection more than twenty-five years ago, we’ve endeavored to keep everything we’ve published in print. But despite our efforts to renew rights, we are losing a...

Nov 25, 2025 Having broken through in over-the-top horror movies, Kier turned in arresting performances in films by Fassbinder, Lars von Trier, and Gus Van Sant.

Oct 24, 2023 This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.

Jul 8, 2025 The maestro of existential dread is celebrated in New York, Vancouver, and Columbus, Ohio.

Cinema Reborn 2025

The Daily

Apr 28, 2025 Australia’s festival of recent restorations celebrates Hollywood classics and rediscoveries from around the world.

Bresson and Marker

The Daily

Jun 26, 2023 The Cinemateca Brasileira programs an odd pairing, but it all comes together in 1983.

Dec 2, 2021 Artforum opens the season, and we already have best-of-2021 lists from Cahiers du cinéma and Vanity Fair.

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

May 4, 2020 A new 976-page biography delves into the life and work of an ultimately unknowable man.

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