Sequence

Oct 28, 2013 — A husband and wife in 1960s Milan are isolated from each other and displaced in the modern world in Michelangelo Antonioni’s tale of love and space.

Oct 21, 2013 — As a film star, John Cassavetes embodied the kinetic, wild-eyed, insanely grinning villain. He seemed born to the role, with his volatile energy and dynamic outbursts, luminous yet curiously deadened eyes, wide-gaping mouth (David Thomson has likened it to a...

Oct 16, 2013 — Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.

Oct 8, 2013 — René Clair’s I Married a Witch is among the buried treasures of 1940s American filmmaking. As the title promises, this is the most fanciful of screwball comedies, one with a peculiar charm that may take you by surprise. Known as...

Sep 26, 2013 — Roberto Rossellini officially left neorealism behind with his modern masterpiece, an intimate tale of marriage on the rocks.

Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

Aug 20, 2013 — Satyajit Ray’s delicate masterpiece about forbidden love in the late nineteenth century is lovingly adapted from a novella by the great Rabindranath Tagore.

Aug 19, 2013 — This moving drama about gender, race, and class in 1960s Kolkata is a pioneering work from Satyajit Ray.

Aug 7, 2013 — In 1958, in the midst of his most fecund cinematic period, Yasujiro Ozu made his first color film, the splendid Equinox Flower. Like so many of Ozu’s films, this poignant drama is about the subtly difficult emotional landscape navigated by...

Jul 31, 2013 — The story of the author’s long correspondence with the silent film icon.