Opera

Mar 13, 2017 — Cinema’s ability to evoke the knotty complexities of time, truth, and subjective experience makes it an ideal medium for exploring memory, a theme that has long been a source of fascination for artists. This week on the Criterion Channel, our...

Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

Jan 4, 2017 — A new 4K restoration of French playwright, filmmaker, and novelist Marcel Pagnol’s Marseille Trilogy is now playing at New York’s Film Forum. Comprised of Alexander Korda’s Marius (1931), Marc Allégret’s Fanny (1932), and Pagnol’s César (1936), this legendary series, produced...

Dec 21, 2016 — Garrett Brown in our kitchen reenacting a Steadicam-shot scene from Blow Out In 1975, the cameraman Garrett Brown revolutionized filmmaking technology with the Steadicam, an invention that brought together the agility and immediacy of a handheld camera with the smoothness and...

Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

Oct 3, 2016 — Polish music icon Zbigniew Preisner, who first worked with the Dekalog director on 1985’s No End and went on to contribute to all of his subsequent films. Here, we present a selected playlist of Preisner’s most memorable work for Kieślowski.

Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.

Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.

Jul 21, 2016 — Interweaving wartime footage with haunting images of abandoned concentration camps, Alain Resnais’s breakthrough was one of the first films to confront the ravages of the Holocaust.