The Criterion Collection
Essays
Apr 29, 2002 — Though set in wartime Soviet Union, Grigori Chukhrai’s drama walks away from the genre of war film, creating a portrait of life and problems behind the lines of battle.
Essays
Sep 17, 2001 — George Sluizer’s nightmarish film is a study in everyday madness, rooted in the specifics of the Dutch and French landscapes and character.
The Daily
Sep 3, 2026 — This year’s Venice opener propels us through the origin story of our current media hellscape.
Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...
The Daily
Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.
The Daily
Apr 9, 2026 — Film at Lincoln Center and the Museum of Modern Art introduce New Yorkers to some of the most exciting new voices in cinema.
The Daily
Mar 24, 2026 — Novelist Silvia Moreno-Garcia programs a series of films by Roberto Gavaldón, Julio Bracho, Emilio Fernández, and Luis Buñuel.
The Daily
Mar 9, 2026 — The comprehensive retrospective can be a daunting prospect, but programmer David Schwartz has spotlit five essential features.
Dec 9, 2025 — In one of cinema’s greatest love stories, Michael Powell and Emeric Pressburger use the mercurial beauty of Scotland’s Inner Hebrides to evoke the unruly passions of an indelible heroine.