In girum imus nocte et consumimur igni

May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

May 8, 2020 — More highlights include a dossier on Hong Sang-soo, a letter from Apichatpong Weerasethakul, and Barry Jenkins’s conversation with the young stars of Never Rarely Sometimes Always.

May 6, 2020 — Once seen, the opening credits of Juraj Herz’s pitch-black satire The Cremator (1969) are not soon forgotten. At the beginning of the handcrafted, collage-style sequence, a still close-up of the protagonist’s head, from the eyes up, takes over the screen,...

Apr 29, 2020 — Perched high above the spa town of Nebelsbad, amid the snow-capped Alpine peaks of the Republic of Zubrowka, sits a sprawling resort that in its old-world heyday served as the epitome of European luxury. For the historical caper The Grand...

Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...

Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Apr 9, 2020 — The San Francisco–based creative team Century, cofounded by Jason Hardy and Steve Knodel, is no stranger to working with Criterion, having designed our Ingmar Bergman’s Cinema set, as well as the current form of this very website. The latest of...

Mar 11, 2020 — Two series, one on each coast, and an exhibition celebrate the work of the German filmmaker and photographer.

Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.

Feb 14, 2020 — One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...