The Criterion Collection
Nov 19, 2024 — William Wyler’s adaptation of the Broadway musical celebrates the indomitability of vaudeville legend Fanny Brice, embodied by Barbra Streisand in an incandescent and remarkably vulnerable performance.
The Daily
Nov 14, 2024 — BAM revisits the culture wars in a series that includes films by Martin Scorsese, Todd Haynes, and David Cronenberg.
On the Channel
Nov 13, 2024 — Spend the holiday season with the Pope of Trash, the Master of Suspense, MTV Productions’s turn-of-the-century thrills, and Columbia Pictures’s pre-Code button-pushers.
The Daily
Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”
Essays
Nov 12, 2024 — Filled with expressionistic shadows and pungent details of life in the criminal underworld, this seminal tale of money and violence was among director Howard Hawks’s favorite of his own films.
The Daily
Nov 7, 2024 — Critics argue that the fortieth feature directed by Clint Eastwood deserved more than a limited weeklong theatrical release.
The Daily
Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”
The Daily
Oct 31, 2024 — She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.
The Daily
Oct 30, 2024 — The filmmaker struggled to emerge from the long shadow of one of the world’s most famous artists.
Oct 29, 2024 — From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.