Every Day

Oct 30, 2020 — In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.

Oct 27, 2020 — A good number of film publications are reminding us that this is the season for terrifying ourselves.

Oct 26, 2020 — A handful of journals offer welcome diversion in anxious times.

Oct 23, 2020 — A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.

Oct 21, 2020 — The subject of two new biographies, the Hollywood icon is being celebrated in his hometown.

Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.

Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.

Oct 15, 2020 — A quick survey of projects in the works coming from Ava DuVernay, Steven Soderbergh, Park Chan-wook, Clint Eastwood, and Ridley Scott.

Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...

Oct 13, 2020 — Some critics are amused, others aren’t, but everyone agrees that Michelle Pfeiffer is outstanding.