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All or Nothing

May 31, 2023 It’s not every year that so many critics are pleased with the juries’ choices.

May 30, 2023 What makes Thelma & Louise truly a film for women, despite the fact that it was directed by a man, are its stars, Geena Davis and Susan Sarandon, who imbue their iconic performances with tender, unwavering specificity.

May 16, 2023 Inspired by golden-age monster movies and the story of a real-life mass murderer, Peter Bogdanovich’s debut feature evokes the psychic dread of America in the 1960s, a decade defined by long-distance and increasingly high-profile gun violence.

Apr 25, 2023 In his second Palme d’Or–winning film, Ruben Östlund uses familiar reality-television tropes to stage a deeply unnerving spectacle of obscene wealth and class outrage.

Apr 25, 2023 Steve McQueen’s monumental, five-film portrait of London’s West Indian community is a howl of endorsement for political resistance and a vivid indictment of institutional malaise.

April Books

The Daily

Apr 19, 2023 Paul Thomas Anderson, Maria Schneider, and fictional figures—Blanche DuBois and Juliet Capulet—figure in this month’s roundup.

Apr 13, 2023 Combining elements of soft-core porn and film noir, one of the most popular Hollywood genres of the 1980s and ’90s captured the fraught aspirationalism and sexual mores of the era.

Can’t Turn Away

The Daily

Apr 7, 2023 Along with the new Cinema Scope, we’re reading Raúl Ruiz’s diaries and conversations with Agnès Godard and Gregg Araki.

Mar 28, 2023 MoMA and Film at Lincoln Center’s annual showcase of fresh talent returns with standouts from Sundance, Berlin, Cannes, and Venice.

Oscar Weekend

The Daily

Mar 10, 2023 While Hollywood celebrates itself, MoMA spotlights video artists.

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