The Criterion Collection
The cinematographer of Bound and The Matrix talks about the thrill of watching John Ford’s Stagecoach for the first time, praises Martin Scorsese’s love of music, and picks up a recommendation from his granddaughter—Nobuhiko Obayashi’s House.
The award-winning playwright, actor, producer, and director shares his love for Sweet Sweetback’s Baadasssss Song, celebrates how Bob Fosse captured dance on-screen like no one else, and talks about the artists who have shaped him, from Lena Dunham and the...
The Oscar-winning writer and director talks about Army of Shadows and Jean-Pierre Melville’s cinema of betrayal, shares his love for Denis Lavant's dancing in Beau travail, and selects favorites by Yasujiro Ozu, Ernst Lubitsch, and Nicholas Ray.
The singer shares her love for The Bitter Tears of Petra von Kant and its decadent drama, praises Nicole Kidman’s hilariously psychotic performance in To Die For, and talks about the intimate dream state of Brand upon the Brain!
The writer, director, and composer talks about the enduring inspiration of The Age of Innocence, praises the tonal precision of David Cronenberg’s Crash, and shares his love for Pasolini’s potent mix of poetry and intelligence.
The singer-songwriter of Death Cab for Cutie and the Postal Service shares his love of the surreal worlds of Luis Buñuel; praises his favorite filmmaker, Kelly Reichardt; and talks about the emotional impact and importance of Streetwise.
The award-winning writer and director of Tótem shares her love for Aki Kaurismäki’s “strange, funny filmmaking spirit,” dedicates her selection of Barbra Streisand’s The Prince of Tides to her mom, and talks about Werner Herzog as a “warrior” in Burden...
The writer and director of Godland—Iceland’s 2023 Oscar submission—shares his love for Ana Torrent’s performances in Cría cuervos and The Spirit of the Beehive, talks about the physicality of Naked and the fear and inspiration in L’humanité, and praises the...
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...
The actor, known for his performances in Looking, We the Animals, and The Inspection, talks about two classics that inspired him to make movies and his love of Orson Welles’s gift for self-reinvention.