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Women on the Run

Nov 13, 2019 Flowers and vegetables pulse, slither, and take dirigible flight; a horse becomes a pampered, petulant lover; a diminutive porcelain mouse transforms into a muscled superhero to save a beleaguered heroine: these are just some of the arresting images in the...

Sep 20, 2019 In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

Jul 9, 2019 Agnieszka Holland’s 1990 film Europa Europa recounts the incredible but true story of how Salomon Perel, born in 1925 in Germany to a Polish Jewish family, survived the Holocaust by posing as a pure Aryan German raised in Poland. Recruited...

Feb 6, 2019 On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...

Jan 25, 2019 Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...

Jul 21, 2017 A landmark of mainstream queer cinema, Donna Deitch’s 1986 feature debut returns to theaters in a new restoration.

Oct 13, 2016 From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Apr 1, 2016 “We were different in age, but we had something in common. We were women, we had been affected by the fact that the film world was a man’s world.” In a new conversation published in Interview magazine, cinematographer Babette Mangolte...

Dec 29, 2015 One refrain often heard in discussions of twenty-first-century film culture is a lament for the loss of social film viewing. While we celebrate the fact that digital technologies have given us convenient access to unprecedented numbers of movies, old and...

Dec 10, 2014 Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.

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