The Criterion Collection
Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.
Jun 9, 2014 — In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene...
Jun 9, 2014 — Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...
Essays
May 27, 2014 — Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.
Features
May 1, 2014 — When Walter Wanger conceived the movie that would become Riot in Cell Block 11, he wasn’t thinking in terms of pop culture. The longtime independent film producer, with classics (and Criterion releases) such as Stagecoach and Foreign Correspondent to his...
Apr 21, 2014 — A real-life prison uprising inspired this two-fisted tale directed by Don Siegel, who would go on to make many more films about men in extreme situations.
Essays
Apr 8, 2014 — In telling the story of the young outcast Antoine Doinel, François Truffaut was moving both backward and forward in time—recalling his own experience while forging a filmic language that would grow more sophisticated throughout the 1960s.
Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...
Essays
Feb 28, 2014 — Other first films exude the sparkling joy of filmmaking that one feels in Breathless, but how many can boast its sure-handedness?
Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.